Simple basic-like language with many proprietary functions ans statements. Panoramic has all the needed features to handle system objects, sounds, musics, pictures, movies, 2D.

Kymatica Compositional Environment. Object-oriented compositional environment based on Nasal, a clean and flexible dynamically typed scripting language with garbage collection. Suitable for live performance (real-time recompiling of objects), algorithmic composition and experiments.

Sweden

Extensible Embeddable Language. Scripting and programming language intended for scripting in real time systems with cycle rates in the kHz range, such as musical synthesizers and industrial control systems.

Programming language for real-time sound synthesis and music creation.

Princeton Sound Lab, USA

Virtual MIDI Machine.programming language that allows you to send and receive raw midi messages and has built-in libraries for higher level MIDI functions.

Belgium

Functional Audio Stream. Functional programming language specifically designed for real-time signal processing and synthesis.

Centre National de Création Musicale, France

Common Lisp Music Version 2 of Common Lisp Music. The new version, named CLM-2, represents a large-scale revision of the version that existed from 1990 to 1999.

USA

Environment with Stackbased language for music composition. Algorithmic composition, sequences.

Music scripting language that creates an entire song from a script file.

USA

Open Sound World. Scalable, extensible programming environment that allows musicians, sound designers and researchers to process sound in response to expressive real-time control.

Structured Audio Orchestra Language (SAOL) is an imperative, MUSIC-N programming language designed for describing virtual instruments, processing digital audio, and applying sound effects. It was published as subpart 5 of MPEG-4 Part 3.

Java Music Specification Language. Programming environment for experiments in music performance, composition, and intelligent instrument design. Based on HMSL.

USA

Simple CAL like language for manipulating MIDI and Sibelius specific data.

USA

Computer language for creating MIDI data.

Zel Software, USA

Language for creation of synthesised waveform sounds.

Sweden

Development system for realtime Digital Signal Processing techniques, sound synthesis, filters and sound effects. Sound and MIDI environments can be developped which allow it to be used as a MIDI musical instrument.

IRIS s.r.l., Italy

Set of Haskell modules for creating, analysing and manipulating music

USA

Programming language of the SuperCollider environment for real time audio synthesis program.

University of Iowa, USA

Synthesis toolKit Instrument Network Interface. Language designed to be MIDI compatible and extend MIDI in incremental but profound ways.

Princeton University, USA

Visual programming language developed for creating interactive computer music and multimedia works.

USA

Compositional language for the efficient specification of arbitrarily complex Csound scores. It is integrated into CECILIA and can be used to generate scores for any kind of Csound orchestra.

Université de Montréal, Canada

Interpreted multi-tasking awk-like language designed for MIDI algorithmic and realtime manipulation.

USA

Version of the cmusic sound synthesis program for the IBM PC and compatibles.

UCSD, USA

Musical event description/manipulation language designed for computer-controlled performances with MIDI instruments.

UCSD, Japan

The Foo environment consists of the Foo Kernel layer and the Foo Control layer. The Foo Kernel layer is implemented in Objective-C and is made accessible to Scheme through a set of types and primitives added to the Elk Scheme interpreter. The Foo Control layer is implemented in Scheme and OOPS, an object-oriented extension to Scheme.

IRCAM, France

Real-time MIDI programming environment embedded in Macintosh Common Lisp.

MIT Media Laboratory, USA

Language Of Objects Of Music. Visual programming language for defining algorithmic processes and composition structures.

UK

Common Composer's Programming Language.computer programming environment aiming at composers and researchers in the field of electroacoustic music.

Sweden

Tcl-based MIDI language, for creating and editing Standard MIDI Files.

USA

Cakewalk Authoring Language. Music language for Cakewalk.

USA

Musical composition language. This notation language was originally designed for transcribing Irish folk tunes, but has since evolved into a considerably richer language allowing, for example, polymetric output on multiple staves. This music notation format has the advantage of being extremely concise and fairly readable.

UK

FORTH Music Language. An extension of FORTH with concurrent note- playing processes.

USA

Functional programming language based on the term rewriting calculus.

Germany

Common Lisp Music. MUSIC V written in Common LISP.

USA

Common Music Notation. Musical notation language written in Common Lisp.

Stanford, USA

Musical composition language.

USA

Real-Time Cmix. One of the MUSIC-N family of computer music programming languages. RTcmix is descended from the MIX program.

USA

Interpreted programming language and GUI, algorithmic and realtime MIDI processing, music editor written in Keynote itself, hence customizable, piano-roll style with pop-up menus.

USA

Lisp-like object programming language implemented as an object to be used within the Max system.

University of Iowa, USA

Musical Score creation language.

Musical composition language.

Stanford, USA

Music language, implemented in Xlisp.

Teletau Encoding System. Music encoding language.

Popular and widely used software synthesis package in the tradition of so-called music-N languages. It consists of an orchestra- and score-driven executable, written in C for portability.

University of Bath, UK

Language for specifying and manipulating sound.

Symbolic Sound Corporation, USA

Graphical, object-oriented language in which precompiled input/output primitives of specific function can be 'patched' together graphically onscreen to create large interactive systems.

IRCAM, France

Hierarchical Music Specification Language. programming language for experimental music composition and performance. It was popular between 1986 to 1996. HMSL is an object oriented set of extensions to the Forth language for the Amiga and the Macintosh.

Mobileer Inc., USA

FORTH-like language for programming the 500/5000 series of add-on music synthesizers for the BBC micro. Many listings published in Acorn User magazine.

Hybrid Technologies, Cambridge, UK

Real-time functional language, used for music synthesis.

USA

Musical composition language.

USA

Object-oriented language for music composition and synthesis, written in VLISP.

France

Language for real-time computer music synthesis, written in XPL.

Extended version of Microsoft Standard BASIC Version 4.5, and includes support for graphic, music, and various peripherals attached to MSX Personal Computers. Generally, MSX-BASIC is designed to follow GW-BASIC, which is one of the standard BASICs running

Microsoft, USA

Real-time Audio-Visual Language.

Standard Music Description Language.

USA

Scoring language used by the Carnegie Mellon Midi Toolkit (CMT).

USA

Gee Whiz BASIC. BASICA compatible; independent of IBM ROM routines. Came with versions of MS-DOS before 5.0. Included music macro language and advanced loops. (DOS and Windows).

Microsoft, USA

High-level music programming language, written in SAIL. Includes concurrency based on message passing.

USA

Macro Music Language used by the BASIC interpreter on MSX home computers.

Microsoft /ASCII Corp., USA

AML consisted of an interpreter and a compiler. The compiler was written in and used a lobotomized version of the Digital Research MAC assembler. The compiler generated code that was read by the interpreter. The AML interpreter was written in Intel 8080 assembly language. The interpreter created up to 8 virtual machines that drove analog synthesizers using various D/A and A/D hardware.

Electronic Arts Research (EAR), USA

Macro language for configuration and control of analog oscillators, filters, VCAs, LFOs, amp, mixer, etc., music notation.

Hazelcom, USA

Package of routines for editing, processing, and creating soundfiles. Adapted from the MIX program.

USA

8-bit sampling, graphical additive synthesis and command line sequencing implemented in Forth.

Fairlight Instruments, USA

Music programming language.

USA

Aka MBox. Music compiler for the Sampson box at CCRMA. Re-implemented as "Sambox", it was the primary music making program at CCRMA

USA

Tech extensions for typesetting music.

Canada

Music programming language. A Score Translator for Music 11.

MIT, USA

Music programming language.

MIT, USA

Conceived to perform algorithmic composition using digital audio soundfiles on a IBM 3031 mainframe computer.

Princeton University, USA

Score and orchestra language for DMX-1000 signal processor. implemented in LSI-11 assembler.

USA

Music Translator v3.

USA

Language for real-time music synthesis.

Music programming language.

USA

Synthesis language for real-time instruction synthesis on a PDP-15.

Institute of Sonology, Netherland

DigitAl Representation of Musical Scores . Music language.

Columbia University, USA

Evolution of MUSIC V.

USA

Evolution of MUSIC for the XDS SIGMA7 computer.

USA

Port of Music 4 composition language to the PDP-11.

MIT, USA

MUSical Instruction Composition Oriented Language.

MUSic TRANscription. Music description language.

USA

Musical composition language.

USA

Alphanumeric Language for Music Analysis. Music programming language.

Institute for Computer Research in the Humanities (NYU), USA

Electronic Music Oriented Language. Also ELMOL 70. A language to use the computer with a musical instrument, the Moog Synthesizer. There are digital-to-analog converters which convert a binary number from the computer into an analog voltage which affects the Moog Synthesizer. Compiler is written in FORTRAN IV for IBM 1130.

St . Olaf College , New Ulm, MN, USA

Music programming language.

USA

Generating Realtime Operations On Voltage-controlled Equipment. Musical composition language.

Bell Labs, USA

Mainframe hybrid compiler/interpreter implementation frequently used with such operating systems as McGill University's MUSIC/SP.

USA

Music programming language.

USA

Music language implemented in Algol.

USA

Music language implemented in asssembler for the Buchla Lightning.

USA

Music compiler. A Music V implementation at heart.

USA

Port of Music 4B to the IBM 360.

Princeton University, USA

Version 5 of MUSIC.

Bell Labs, USA

Transformational Electronic Music Process Organizer. The first programming language designed especially for sound synthesis. For IBM 360.

USA

Hiller's second composoition system.

USA

MUSical alGOL. Musical composition language, based on MUSIC I-V but founded in Algol rather than FORTRAN. On Burroughs B5500 using Adage Ambilog 200.

University of Virginia, USA

FORTRAN adaptation of MUSIC4B

USA

Musical composition language. Written in FORTRAN IV.

Argonne National Laboratory, USA

Computer language for the expression of musical ideas.

MIT, USA

Port of the Music IV composition language to the IBM 7094 (written in BEFAP, hence the B).

Princeton University, USA

Version 4 of MUSIC.

Bell Labs, USA

Microtone-capable musical performance language for the SOLIDAC (one of the very first dedicated musical computers).

Computer Science Department at Glasgow University, UK

Language for playing music on PDP-8.

Version 3 of MUSIC.

Bell Labs, USA

Version 2 of MUSIC.

Bell Labs, USA

Languages for musical sound synthesis. Versions: Music I through Music V. For IBM 704.

Bell Labs, USA

First version of MUSIC.

Bell Labs, USA